Friday, March 10, 2017

Maria Yudina Legacy Vols. 1-16

Label : Vista Vera
Format : Ape
Cover : Yes

Tracklist :

Vol. 1

Ludwig van Beethoven
Variations and Fugue 15 in Es-dur, Op.35 (Eroica)
Diabelli Variations, Op.120

Vol. 2

Ernst Krenek
Sonata, Op.59

Igor Stravinsky
Sonata in C-dur
Serenade in A-dur 07

Béla Bartók
8 pieces of solo piano music Microcosm

Paul Hindemith
Sonata for 2 pianos

Vol. 3

Johann Sebastian Bach
The Well-tempered Clavier Book 2
14 Preludes & Fugues

Vol. 4 :

Ludwig van Beethoven
Piano Sonata No.29 in B-dur, Or.106, 'Hammerklavier'

Johannes Brahms
Fantasie in A-moll, Op.116
Intermezzo 06.Intermezzo in Es-dur, Op.117 No.1
Intermezzo in b-moll, Op.117 no.2
Intermezzo in CIS-moll, Op.117 No.3 in A
Piece-moll, Op.118 No.1 - Intermezzo in A
Piece-dur, Op.118 No.2 - Intermezzo
Piece in F-moll, Op.118 No.4 - Intermezzo
Piece in es-moll, Op.118 No.6 - Intermezzo
Piece in e-moll, Op.119 No.2 - Intermezzo
Piece in C-dur, Op.119 No.3 - Intermezzo

Vol. 5 :

Johannes Brahms
Variations and Fugue on Theme by Handel A in B-dur, Op.24
Rhapsody in G-moll, Op.79 No.2
Piano Quartet No.2 in A-dur, Op.26

Maria Yudina, Dmitry Tsyganov, Fyodor Druzhinin, Sergei Shirinsky

Vol. 6 :

Franz Schubert
Piano Sonata No.21 in B-dur, D.960

Robert Schumann
Waldszenen, Op.82
Fantasiestucke, Op.12

Vol. 7 :

Ludwig van Beethoven
Piano Concerto No.4 in G-dur, Op.58
Piano Concerto No.5 in Es-dur, Op.73

Maria Yudina - piano
Leningrad Symphony Orchestra, Kurt Sanderling
Symphony Orchestra of the USSR State Radio, Nathan Rachlin

Vol. 8 :

Ludwig van Beethoven
Piano Sonata No.5 in c-moll, Op.10 No.1
Piano Sonata No.12 in As-dur, Op.26, 'Funeral March'
Piano Sonata No.22 in F-dur, Op.54
Piano Sonata No.32 in C-moll, Op.111

Vol. 9

Ludwig van Beethoven
Piano Sonata No.16 in G-dur, Op.31 No.1
Piano Sonata No.27 in e-moll, Op.90
Piano Sonata No.28 in A-dur, Op.101
Sonata for Violin & Piano No.6 in A-dur, Op.30 No.1

Maria Yudina, Marina Kozolupov

Vol. 10

Sergei Taneyev
Quartet E-Dur for piano, violin, viola and cello, op.20
Quintet g-moll, for piano, two violins, viola and cello op.30

Maria Yudina, Beethoven Quartet

Vol. 11

Wolfgang Amadeus Mozart
Rondo a-moll
Piano concerto No 20
Piano concerto No 23

Maria Yudina
USSR State Radio Symphony Orchestra, Sergei Gorchakov, Alexander Gauk

Vol. 12

Johann Sebastian Bach
The Well-Tempered Clavier, Book 1 - 6 Preludes and Fugues
Chromatic Fantasy and fugue d-moll
Bach-Liszt - Prelude & Fugue a-moll
Sonata for violin and clavier No3 E-Dur BWV-1016

Maria Yudina, Marina Kozolupova

Vol. 13

Modest Musorgsky
Meditation
Album Leaf
Three pieces on the themes from the opera Boris Godunov

Nikolai Medtner
Sonata-Triad, ор.11

Sergei Prokofiev
Romeo and Juliet Before Parting (PianoTranscription)
Visions Fugitives, ор.22

Vol. 14

Modest Mussorgsky
Pictures at an Exibition

Dmitri Schostakovich
Sonata № 2, h-moll, op.61

Vol. 15

Igor Stravinsky (1882-1971)
Concerto for two pianos (1935)
Concerto-Duo for piano and violin
Sonata for two pianos
Theme avec variations
Concerto for piano, winds, double-basses, kettledrums

Maria Yudina, Victor Derevianko, Victor Pikaizen, Marina Drozdova
State TV & Radio Committee Grand Symphony Orchestra, Gennadi Rozhdestvensky

Vol. 16

Joseph Haydn (1732-1809)
Sonata Es-dur, Hob. XVI: 52

Wolfgang Amadeus Mozart (1756-1791)
Fantasia c-moll, K-475
Fantasia d-moll, K-397
Adagio h-moll, K-540
Sonata F-dur, K-533

8 comments:

  1. Maria Yudina unlocked Beethoven's "Hammerklavier" sonata for me in a way that even Richter couldn't. This is, for me, the most understanding performance of this work--whose first movement is the most modernistic (if not avant-garde) of its time--I have ever heard. Beethoven channeled music from spheres in that Allegro no one else would hear until the 20th century. There are times when it sounds like jazz and even seems to presage Cecil Taylor. Amazing! And Yudina's interpretation of the Adagio is so sublime that I was practically in tears. You must hear this recording (vol. 4). Thank you for this gift.

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  2. You are absolutely right. I heard Cecil Taylor in this. Also in the late Quartets. If you go from the beginning of the 1st Sonata, 2nd page 1st movement contains a blue chord that no one on this earth had heard before. I only understood it and heard it, when I learned the Sonata. At the time I was listening to jazz keyboard by Taylor, both Bley's, McCoy Tyner, Run Ra and Teté Montolieu. One more fascinating than the other. I was also studying classical piano and even Bach paved the way for these jazz pianists. There was also a girl from Japan. But my LP's are in storage [we're talking early 80's for the jazz recordings]. I'm a BIG fan of Richter. But I thought I understood the Goldbergs by Glenn Gould. Oh no! I went through them all, but Yudina's concept is so transparent, so clear and so overwhelming, you are in another world. One you've never heard before. My WTC is Richter's Innsbruck live performance. Richter grew up listening to this woman. So GLAD to find you here and the above comments.

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  3. Wanted to ask if you had ever heard Vedernikov in that Hammerklavier. I think you'll find further light shed on this complex and fantastic Hammerklavier.

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    Replies
    1. The file number 15 is unavaiable. Can you reupload it please?
      Thank you very much for all the upload in this page :D

      Delete
  5. It was my fault that I've only read the preceding comment by Puck only today...by I whole heartedly agree with my friend. You MUST listen to Vedernikov on this sublime sonata...please...

    ReplyDelete
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    ReplyDelete